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EUROPÄISCHE KLAVIERSCHULE BAND 1

EUROPÄISCHE KLAVIERSCHULE BAND 1

Fritz Emonts (Author) | Andrea Hoyer (Illustration)

Language: French, German, English
Level of difficulty: very easy
Publisher/Label: Schott Music
Series: The European Piano Method, Vol. 1


Until 2024-06-14T16:00:00.000+00:00 英國樂譜展 on order

滿三千免運 on order

NT$945
NT$805
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**島嶼樂集為 Schott Music  台灣授權經銷\合法報關進口\商品皆會開發票**

**商品圖片及介紹由 Schott Music  提供**

Following the very successful piano method published in two volumes between 1958 and 1962, the three-volume "European Piano Method" represents a new textbook which takes into account the development of modern piano pedagogy.

7 Winning Features of the Emonts Method:
1 Songs from many European countries
2 Pupils begin to play without music notation
3 Improvisation and playing on the black keys
4 Development of listening skills and aural awareness
5 Simple and logical learning structure
6 Lots of duets
7 Attractive full-colour illustrations

Volume 1
The most natural way of creating and nurturing the relationship of a child with an instrument is to stimulate and encourage the child to find on the keyboard, and to play by ear, all the tunes he or she has so far assimilated. Not only children's songs or folk songs are suitable for this but also other melodies that may be heard at home, at school, in church, on the radio and on television. The natural progression, from singing and listening to playing, forms the foundation for the development of listening ability and musicality. During a lifetime with an instrument one should always try to replay on it everything that one has heard.
The child should, at the same time, be made familiar with the whole keyboard by touch as well as by ear, from the lowest register to the highest. the young player should already have a feeling of contact with the keyboard before piano playing is combined with the complicated process of reading music. Playing only on the black keys to begin with will offer a particularly good opportunity to grasp the arrangements of the black keys (literally) 'grasping'. For improvised melodies, too, the pentatonic scale formed by the black keys is easier to handle at the beginning stages than the diatonic scale of the white keys. For this reason, an introductory section 'Playing with the Black Keys' has been included.
Here the teacher, through such material, should encourage the beginner to become familiar with the keyboard.
Another advantage in beginning this way lies in the fact that training the functions of the motorial system does not only start within the narrow stretch of the fingers but with the larger playing apparatus of the arms and the whole body. In this way tension can be avoided.
The suggestions for improvisation and song accompaniement given at the beginning (on the 'yellow' pages) should not necessarily be dealt with all at once before the chapter 'Playing from Printed Music' but should rather be gradually incorporated into lessons. Here, the printed music is intended primarily for the teacher who will play through the exercises. The pupil plays from memory rather than from the book.

-CONTENT
Preface
Playing with the Black Keys
Playing by Ear
Tunes in the 5-Note Range
Songs with 6 Notes and More
Easy Accompaniment
Playing from Printed Music
Playing with 3 Fingers
Playing with 5 Fingers
Playing with 5 Fingers in Different Parts of the Keyboard
Starting on F
Starting on C
Major and Minor
Starting on D
Quavers (Starting on G)
Starting on A
Changing the Hand Position Withing the Same Piece
Legato, Staccato
Index of Songs
Index of Songs: Ah! Vous dirai-je, maman
Air populaire
Al die willen te kap'ren varen
Allons à Bordeaux
Alte spanische Melodie
Au clair de la lune
Bumble-bee Song
Carillon de Vendôme
C'est le roi Dagobert
Chanson hongroise
Chanson des esquimaux
Chanson de l'abeille
Chanson de berger
Chanson à danser
Chanson de marin néerlandaise
Dancing Tune
Danse russe
Der Kuckuck und der Esel
Der Meyen
Die Glocken von Vendôme
Die Tiroler sind lustig
Din, don
Dutch Sailor's Song
Eine kleine Geige möcht' ich haben
Folk Tune
Fuchs, du hast die Gans gestohlen
Girls and Boys Come Out to Play
Good Morning
Hänsel und Gretel
Hopp, hopp, hopp
Hungarian Folk Song
Il était un petit navire
Ist ein Mann in' Brunn' gefallen
J'ai du bon tabac
Je suis un petit garcon
Kommt, wir wollen singen, tanzen
Kuckuck
Le coq est mort
Les Tyroliens sont joyeux
Lied der Eskimos
L'inverno è passato
Little Bo-Peep
Little Sally Waters
Mélodie espagnole ancienne
Merrily We Roll Along
Michael Finnigin
Morgen kommt der Weihnachtsmann
Niederländisches Seemannslied
Oh When the Saints Go Marching In
Old Spanish Tune
Prends garde au loup, bergère
Que fais-je, pauvre petite fille
Russischer Tanz
Russian Dance
Shepherd's Song
Song of the Eskimos
Summ, summ, summ
Sur le pont d'Avignon
Swanee River
Tanzlied
The Bells of Vendôme
The Bells in the Steeple
The Tyroleans are Merry
This Old Man
Twinkle, Twinkle, Little Star
Ungarisches Lied
Volksweise
Was mach' ich armes Mädchen
Was soll das bedeuten
Wenn ich ein Vöglein wär'
What Shall I do Poor Little Girl
Winter ade
Zeg Moeder, waar is Jan
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